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Synth. Dual Oscillator mono synth with :
- VCO
- VCF
- MOD ENV
- VCA
Substractive synth. Virtual synthetizer for cubase VST. This monophonic synth features two oscillators, ans an easy-to-use MIDI management.
Experimental instrument. The Monophone is not a synthesizer : it is a "Pierre Henry like" experimental music studio presented as a VST instrument. Several wave players replace old tape...
Single-oscillator synth. One oscillator (Sine, Saw, Triangle, Square).
Unison, from 1 to 16 voices.
Unique filter with 4 filter types.
Polyphony (Monophonic Portamento)
Easy-to-use
Substractive synth. Phase distortion oscillator with a SoundFont oscillator
Synth. It employs the Discrete-Summation Formulae (DSF) synthesis technique which has capabilities similar to those of frequency modulation.
Organ. Styled after the Transistor organs of the 60s and 70s, this organ synth avoids the drawbar analogy and instead provides a series of harmonic tone and boost knobs...
Soundfont player. Supports SF2 format.
1 LFO.
2 Envelopes.
10 Filter types.
Synthesizer-sequencer. The Motif is across sequencer, arpeggio, arranger and modular synthesizer : play six notes on the keyboard and wonderfull polyphonies can be heard.
Hybrid synth. This synth offers a wide variety of ways to create automated motion of the synth's sound. This is achieved by the use of 4 envelopes, 8 LFOs, three 16 step CV...
Synth. One VST synth who use waveforms from hardware oscillators builded by Pixszels with old Soviet parts.
Techno sequencer. This instrument allows to improvise techno sequences : beatbox, three melodic lines. The filter or the variations of stamp control themselves directly on the...
Synth. Mr. Alias uses non-bandlimited oscillators which can be transposed near to and beyond the Nyquist frequency, causing most of their spectra to be aliased back...
Electric piano. MrRay is an Electric Piano emulation. It is capable of producing the sound of the Electric Pianos of the seventies, like the Fender Rhodes and the Wurlitzer EP,...
Electric piano. MrRay is a series of "imperfections" introduced in order to capture, with the highest possible fidelity, the sound of a Mark I. There are mallet noises, wooden...
