L-Pack
| Category | Audio Production / Plug-ins & effects |
| Version | 1.0 |
| Format |
 |
| Compatibility |  MacOS X Intel |
| License | Commercial Software |
| Price | $25 / 24€ |
| Rating | |
| Updated On | May 26, 2012 |
| Total Downloads | 32 |
| Mac Downloads | 32 |
Limiters
The L-Pack consists of two limiters: the L112 and the L212.
These two limiters are designed to be peak limiters. It has been proven through experimentation that transient peaks that last 10ms or less are barely perceivable by the human mind. Therefore, they can be taken out completely, leaving room for a greater dynamic range.
The L112 limiter is a digitally designed limiter that clips off the top of any audio above a certain threshold. It does have a wide ranged attack and release for most clippers, but using slower speed can allow unwanted transients through the limiter.
The L212 limiter is an analog designed limiter that clips off the top of any audio above a certain threshold. It has a limited attack and release, because its algorithm requires faster speeds to work right. The big...
These two limiters are designed to be peak limiters. It has been proven through experimentation that transient peaks that last 10ms or less are barely perceivable by the human mind. Therefore, they can be taken out completely, leaving room for a greater dynamic range.
The L112 limiter is a digitally designed limiter that clips off the top of any audio above a certain threshold. It does have a wide ranged attack and release for most clippers, but using slower speed can allow unwanted transients through the limiter.
The L212 limiter is an analog designed limiter that clips off the top of any audio above a certain threshold. It has a limited attack and release, because its algorithm requires faster speeds to work right. The big...
more...
The L-Pack consists of two limiters: the L112 and the L212.
These two limiters are designed to be peak limiters. It has been proven through experimentation that transient peaks that last 10ms or less are barely perceivable by the human mind. Therefore, they can be taken out completely, leaving room for a greater dynamic range.
The L112 limiter is a digitally designed limiter that clips off the top of any audio above a certain threshold. It does have a wide ranged attack and release for most clippers, but using slower speed can allow unwanted transients through the limiter.
The L212 limiter is an analog designed limiter that clips off the top of any audio above a certain threshold. It has a limited attack and release, because its algorithm requires faster speeds to work right. The big difference between this limiter and the L112 is that it clips using harmonic distortion. That way you can clip your track a lot harder, with more musical tonality than its digitally designed counterpart.
These two limiters are designed to be peak limiters. It has been proven through experimentation that transient peaks that last 10ms or less are barely perceivable by the human mind. Therefore, they can be taken out completely, leaving room for a greater dynamic range.
The L112 limiter is a digitally designed limiter that clips off the top of any audio above a certain threshold. It does have a wide ranged attack and release for most clippers, but using slower speed can allow unwanted transients through the limiter.
The L212 limiter is an analog designed limiter that clips off the top of any audio above a certain threshold. It has a limited attack and release, because its algorithm requires faster speeds to work right. The big difference between this limiter and the L112 is that it clips using harmonic distortion. That way you can clip your track a lot harder, with more musical tonality than its digitally designed counterpart.
less...
L-Pack v 1.0
May 26, 2012
MacOS X Intel
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Other Software by EarKandi Plug-ins (2)
Compressors. The C-Pack consists of two compressors: the C114 and the C212.
Both compressors’ gain reduction circuits are based off of new algorithms designed to minimize...
Reverberation. The V-Pack consists of two reverberation processors: the R157 and the R257.
These reverbs are not designed to be pretty, luscious and attractive in any way....
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