FX
The Space Effect has the same architecture as the MHC Space Synthesizer, minus the oscillator. While the Space Synthesizer is an instrument, the Space Effect is an effect, which can be used as an insert or as a send effect. It may be used to process other plugins or external instruments, such as synths, drums or guitars.
The Audio Unit plugin processes audio, such as drums, guitars, external synthesizers or other Audio Unit plugins / soft synths. In fact even the dullest and most boring sound can come alive when you process it with the Space Effect.
Features
The Space Effect uses a resonator, to create that famous sweeping sound, and an ensemble effect to give the audio that lush and smooth sound.
Many parameters can be controlled by the built-in analog style sequencer. Odd...
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The Space Effect has the same architecture as the MHC Space Synthesizer, minus the oscillator. While the Space Synthesizer is an instrument, the Space Effect is an effect, which can be used as an insert or as a send effect. It may be used to process other plugins or external instruments, such as synths, drums or guitars.
The Audio Unit plugin processes audio, such as drums, guitars, external synthesizers or other Audio Unit plugins / soft synths. In fact even the dullest and most boring sound can come alive when you process it with the Space Effect.
Features
The Space Effect uses a resonator, to create that famous sweeping sound, and an ensemble effect to give the audio that lush and smooth sound.
Many parameters can be controlled by the built-in analog style sequencer. Odd and unusual patches can be created. For example, the resonator can be swept with an LFO that has a random shape. Or the sequencer can control the filter cutoff.
Two delays add an extra dimension to the sounds. The delay time can be synchronized to MIDI or they can run on their own.
Modulation Heaven
A wide range of exotic patches, with an ambient feel, can be created using the extensive modulation capabilities of the Space Effect. How about sequencer control of the filter's resonance parameter? Or how about modulating the resonator LFO's rate with a sample & hold noise source? Or add sequencer control of the ensemble effect's vibrato depth.
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